Chapter One
The answering machine kicked in a fourth irritating echo
from the insistent caller. I listened to my recorded voice
announce that I was not available to come to the phone
right now, as little hammers pounded furiously inside my
head. The last Dewar's of the evening had been
unnecessary.
I cocked an eye to glance at the illuminated dial glowing
an eerie shade of green in the still dark room. It read
5:38 A.M.
"If you're screening, Coop, pick it up. C'mon, kid."
I was unmoved, and mercifully not on duty this morning.
"It's early and it's cold, but don't leave me dangling at
the end of the only working phone booth in Manhattan when
I'm trying to do you a favor. Pick it up, Blondie. Don't
give me that 'unavailable' stuff. Last I knew you were the
most available broad in town."
"Good morning, Detective Chapman, and thank you for that
vote of confidence," I murmured into the receiver as I
brought my arm back under the comforter to keep it warm
while I listened to Mike. Too bad I'd cracked open a
window for some fresh air before going to sleep. The room
was frigid.
"I got something for you. A big one, if you're ready to
get back in the saddle again."
I winced at Chapman's reminder that I had not picked up
any serious investigations for almost five months. My
involvement last fall in the murder case of my friend, the
actress Isabella Lascar, had derailed me professionally.
It had prompted the District Attorney to direct the
reassignment of most of my trial load, so I had taken a
long vacation when the killer was caught. Mike had accused
me of coasting through the winter season and avoiding the
kinds of difficult matters that we had worked on together
so often in the past.
"What have you got?" I asked him.
"Oh, no. This isn't one of those 'run it by me and if it's
sexy enough I'll keep it' cases, Miss Cooper. You either
accept this mission on faith, or I do this, the legitimate
way and call whichever one of your mopes is on the
homicide chart today. There'll be some eager beaver
looking to get his teeth into this -- I can't help it if
he won't happen to know the difference between DNA and
NBC. At least he won't be afraid to --"
"All right, all right." Chapman had just said the magic
word and I was sitting straight up in bed now. I wasn't
certain if I was shivering because of the bitterly cold
air that was blowing in from outdoors, or because I was
frightened by the prospect of plunging back into the
violent landscape of rapists and murderers that had
dominated my professional life for almost a decade.
"Is that a yes, Blondie? You with us on this one?"
"I promise to sound more enthusiastic after some coffee,
Mike. Yes, I'm with you." His exuberance at this moment
would be offensive to anyone outside the family of police
and prosecutors who worked in the same orbit as he did,
since it was fueled by the unnatural death of a human
being. The only comfort it offered was the fact that the
particular murder victim in question would be the
undistracted focus of the best homicide detective in the
business: Mike Chapman.
"Great. Now, get out of bed, suit up, take a few Advil for
that hangover --"
"Is that just a guess, Dr. Holmes, or do you have me under
surveillance?"
"Mercer told me he was in your office yesterday. Got an
overheard on your evening plans -- Knicks game with your
law school friends, followed by supper in the bar at '21.'
Elementary, Miss Cooper. The only thing he couldn't figure
was whether we'd be interrupting any steamy bedroom scene
with a call at this hour. I assured him that we'd be the
first to know when you gave up on abstinence."
I ignored the shot and welcomed the news that Mercer
Wallace would be part of the team. A former homicide cop,
he was my best investigator at the Special Victims Squad,
where he caught all the major serial rape cases and
pattern crimes.
"Before you use up your quarter, are you going to fill me
in on this one and give me a clue about how to sell it to
my boss?"
Paul Battaglia hated it when detectives shopped around his
office to pull in their favorite assistant district
attorneys to work on complex criminal matters. For the
twenty years that he'd been the District Attorney of New
York County, he had operated with an on-call system --
known as the homicide chart -- so that for every twenty-
four-hour period, every day of the year, a senior
prosecutor was on standby and ready to assist in the
investigation of murder cases in any way that the NYPD
considered useful. Questioning suspects, drafting search
warrants, authorizing arrests, and interviewing witnesses -
- all of the tasks fell to the assistant D.A. who was "on
the chart" and had the first significant contact with the
police.
"You're a natural for this one, Alex. No kidding. The
deceased was sexually assaulted. Mercer's right -- we
really need your guidance on this one." Chapman was
referring to the fact that I am the bureau chief in charge
of the Sex Crimes Prosecution Unit -- Battaglia's pet
project that specializes in the sensitive handling of
victims of rape and abuse. Often, since many of those
crimes escalated to murder, my colleagues and I were
designated to handle the ensuing investigations and
trials.
I was stretching across to the drawer of the night table
to find this month's homicide chart, to check whether I'd
be stepping on the toes of one of the D.A.'s fair-haired
boys, and how much flak I'd be heading for. "Well, until
eight o'clock this morning, Eddie Fremont is catching."
"Oh, no, you gotta save me from him," Mike responded. "Son
of a senator. That's about as useful as having my mother
at the station house. Fremont's a whackjob of the first
order -- I don't think he'd know probable cause if it bit
him in the ass."
Chapman often did a stand-up comic routine at the bar at
Forlini's, the courthouse watering hole, with the monthly
calendar and chart in his hand, calling out the name of
the assigned assistants and reliving some embarrassing
episode from the career of each of us as he rolled off the
dates. Fremont was an easy target, one of those brilliant
students with impeccable academic credentials that simply
failed to translate to the courtroom. Everyone assumed he
had been hired as a "contract," because his father, the
former senior senator from Indiana, had been Paul
Battaglia's roommate at Columbia Law School.
"Or if you wait until a few minutes after eight, you can
have Laurie Deitcher," I countered, aware that she would
be responsible for decisions on anything coming in during
the next twenty-four hours.
"The Princess? Never again, Blondie. The only time I had a
high-profile case with her, it was a disaster. During the
lunch hour, instead of prepping witnesses and outlining
her cross-examinations, she'd make us wait in the hallway
while she plugged in her hot rollers and troweled on some
more makeup. Then she'd belly up to the jury box like she
was Norma Desmond ready for her close-up. She looked great
for the cameras, but the friggin' perp walked. Nope. You
just call Battaglia and tell him Wallace and I woke you up
in the middle of the night because you were the only
person who could answer our questions. Hang tough with
him, Cooper. This is your case."
"Like what kind of questions, Mike?"
"Like can you tell if she was raped before she was killed
or after? Like does establishing the time of death have
anything to do with the speed at which the sperm
deteriorates, because of interference from her body
fluids?"
"Now you're talking my language. Of course he'll let me
keep a case like that. What do you need from me?"
"I think you'll want to get down here as soon as you can.
Have your video guys meet us, too. The Crime Scene Unit
has already processed the room and taken photos, but they
had to move really fast. I'm just worried we all may have
overlooked something that might turn out to be important,
so I'd like your crew to go over the whole area and record
it. Once the story breaks, the place'll be crawling with
press and we won't be able to preserve it."
"Back up, Mike, and start at the top. Where are you?"
"Mid-Manhattan Medical Center. Sixth floor of the Minuit
Building." East Forty-eighth Street, right off the FDR
Drive. The oldest and largest medical compound in the
city. The victim must have been transported there for an
attempt at treatment after she was found.
"Well, where shall I meet you? Where's the scene?"
"I just told you. The sixth floor at Mid-Manhattan."
"You mean the victim was killed in the hospital?"
"Raped and killed in the hospital. Big wheel. Head of the
neurosurgery department at the medical college, brain
surgeon, professor. Name's Gemma Dogen."
After ten years at my job, there were very few things that
surprised me, but this news was shocking.
I had always thought of hospitals as sanctuaries, places
for healing the sick and wounded, comforting and easing
the days of the terminally ill. I had been in and out of
Mid-Manhattan countless times, visiting witnesses as well
as training medical personnel in the treatment of sexual
assault survivors. Its original red-brick buildings,
almost a century old, had been restored to recapture the
look of the antiquated sanitarium, and generous patrons of
more recent times had lent their family names to a handful
of granite skyscrapers that housed the latest in medical
technology and a superb teaching facility -- the Minuit
Medical College.
The familiar knots that tied and untied themselves in my
stomach whenever I received news of a senseless crime and
a sacrificed human existence took over control from the
pounding noise inside my head. I began to conjure mental
images of Dr. Dogen, and scores of questions -- about her
life and death, her career and family, her friends and
enemies -- followed each other into my mind before I could
form the words with my mouth.
"When did it happen, Mike? And how --"
"Sometime in the last fifteen to twenty hours -- I'll fill
you in when you get here. We got the call just after
midnight. Stabbed six times. Collapsed a lung, must have
hit a couple of major organs. The killer left her for
dead, soaked in blood, but she actually held on for a bit.
We got her as a 'likely to die.' And she did, before we
got anywhere near the hospital."
Likely to die. An unfortunate name for a category of cases
handled by Manhattan's elite homicide squad. Victims whose
condition is so extreme when police officers reach the
crime scene that no matter what herculean efforts are
undertaken by medics and clerics, the next stop for these
bodies is undoubtedly the morgue.
Stop wasting time, I chided myself. You'll know more than
you ever wanted to know about all of this after a few
hours with Chapman and Wallace.
"I can be there in less than forty-five minutes."
I got out of bed and closed the window, raising the Duette
shade to look out from my apartment on the twentieth floor
of an Upper East Side high-rise across the city as it
began to come awake on this gray and grisly day. I have
always enjoyed the crisp chill of autumn, leading as it
does into the winter holiday season and the snowy blankets
of January and February. My favorite months are April and
May, when the city parks blossom with the green buds of
springtime and the promise of warmer days of summer. So as
I scanned the horizon and saw only a bleak and cheerless
palette, I figured that Gemma Dogen might also have
scoffed at the great poets and agreed with my personal
view that March, in fact, is the cruelest month.
Copyright ©1997 by Linda Fairstein